Guest Editors
Table of contents
From Auditory Focus, to Auditory Influence, to Multimodal Experience in Psychomusicological Research
Pages 99–100
Cohen, Annabel J.
Letter of the Guest Editors of the Special Issue on "Music as a Multimodal Experience"
Pages 101–102
Timmers, Renee; Granot, Roni Y.
Cross-Sensory Correspondences: A Theoretical Framework and Their Relevance to Music
Pages 103–116
Walker, Peter
Musical Listening and Kinesthesis: Is There an Audio-Vocal Tuning System?
Pages 117–131
Miller, Nicola A.
The Contribution of Different Musical Variables to the Effect of Background Music on Motor Behavior
Pages 132–138
Metcalfe, Tim
Representation of Pitch in Horizontal Space and Its Dependence on Musical and Instrumental Experience
Pages 139–148
Timmers, Renee; Li, Shen
The Color of Music: Emotion-Mediated Associations to Bach's Well-Tempered Clavier
Pages 149–161
Isbilen, Erin S.; Krumhansl, Carol Lynne
The Effect of Tactile Cues on Auditory Stream Segregation Ability of Musicians and Nonmusicians
Pages 162–166
Slater, Kyle D.; Marozeau, Jeremy
Expressivity, Affective Nuance, and Presentation Modality in a Performer-to-Audience Communication
Pages 167–178
Shoda, Haruka; Adachi, Mayumi
Do Visual Cues Intensify the Emotional Responses Evoked by Musical Performance? A Psychophysiological Investigation
Pages 179–188
Vuoskoski, Jonna K.; Gatti, Elia; Spence, Charles; Clarke, Eric F.
Miming to Recorded Music: Multimodality and Education
Pages 189–195
Godinho, José Carlos
